Press | carolinefourmy

Love Songs for the End of the World

"There is SO much to love and pull from this show but please attend if only to hear Caroline Fourmy’s skillful and effortless voice artfully being used to uphold a gorgeously hopeful and serpentine story of losing and finding oneself through a divine relationship with the great mystery of life." -Riot Mueller, New Orleans Box Office

Stage Door Canteen's Always Patsy Cline

"With the story told through Seger's eyes, Caroline Fourmy provides the comic center, as well as the true heart of the show. She shows Seger as both the starry-eyed fan, as well as the pragmatic and ordinary wife and mother who is able to connect with Belton's Cline with genuine believability. Fourmy charms the audience, as well, giving a lively and funny performance. Breaking that fourth wall and wandering into the audience is always a risky move. Fourmy's natural ease makes it work." – Theodore P. Mahne, The Times-Picayune

"Artists in their Own Words: Caroline Fourmy" by Kelley crawford

Griffin Theatre's The Robber Bridegroom

"The sharp ensemble displays the uniformly excellent singing and dancing ability as well as the comedic timing the piece requires. Standouts include Amanda Hartley as scheming step-mother Salome, Caroline Fourmy as Rosamund, the planter’s daughter who aches for romance, and Steve Best as villainous robber and aspiring kidnapper Little Harp." – Lisa Buscani, Newcity Stage

Love Songs for the End of the World

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Stage Door Canteen's Always Patsy Cline

"Artists in their Own Words: Caroline Fourmy" by Kelley crawford

Griffin Theatre's The Robber Bridegroom